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Also, when driving, white people love putting their turn signal on about a half mile before the turn.  

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Exactly. As an American living in the UK for the sixth straight year, I was thinking exactly this, Tessa!

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If you're willing to get up very early and dress quite warm, this is worth it. I really enjoyed the sunrise view and the park rangers were excellent. The roads are fairly frightening (for people like me at least!) and the altitude might make you lightheaded after a while. Overall an enjoyable experience though!

Rob Yes. But the meaning of clothes goes far deeper than what you should or shouldn't wear in the workplace, Will. It can really influence what people think of us. Now, rightly or wrongly, they can make snap judgements - or quick decisions - about us.  

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Fifty years ago, on 18 March 1965, Soviet astronaut Alexei Leonov took the first space walk. Listen to Rob and Neil describing the struggles of that ground-breaking space mission whilst explaining some related vocabulary.

Yup, I am with Chris. Our HOA specifically bans hanging laundry, even in the backyard where it can t be seen! Besides, I also don t like the stiffness of line-dried clothing, and it would be my luck that I would forget it outside and some animal would do something horrible to it.

We elected to go for sunset because we are staying in Kapalua and did not want to get up at 2am for sunrise. We spent the day visiting other local attractions and headed up about 3pm. It was very cloudy and rainy going up and we had our doubts about if it was worth the trip. We had downloaded the Gypsy App for Haleakala which is a guided audio tour and it reassured us that the weather would be different at the top and it was! Sunny and clear, although the temp went from 80 down to 63 degrees at the top. The Visitors Center at the base is under construction and the one at the top is open from 10-3:30. There are restrooms at the summit. There are many switch backs and driving can be nerve racking but definitely worth the views.

 
I didn t even know Northface EXISTED until I went to a certain baby ivy school . It still amazes me as to why its so popular. White people LOVE being unique, but they all end up being the same  

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OMG! This is sooo funny! I m in seattle and no one knows how to dress anymore. We make fun of those women who wear velour track suits but is it any better to go to Starbucks all decked out in REI?

I love the soft feel of clothes that come out of the dryer. I also love the fresh smell of line dried clothes. What I do is hang the clothes to dry, then pop them in the dryer for about 10 minutes with a damp wash cloth/towel to soften them. This saves electricity also since I have an electric dryer.

A lot of North Face stuff is made in Sri Lanka that has one of the worst human rights records on the planet.

 
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You'll never have to hem and haw about whether something will be useful later, whether you should keep it because it's a 'good shirt' or was expensive or any of that! Note that 'sparking joy' applies perfectly well to items that aren't exactly thrilling but that serve us well. For instance, the cotton camisole that doesn't rise up and is just the right length — that sure sparks joy for me! Socks without holes spark a lot more joy than socks with holes. You get the picture.

What about non-white people who wear technical clothing eh? I m 1/2 yellow and 1/2 white and I wear a ridiculous amount of technical clothing. Although I always want to go camping, I m not so stupid as to think my buddy s going to call an impromptu session of hiking and paddling. I for one wear technical clothing because I m a paranoid bastard. When those zombies come, you want to be hunkered down in a makeshift shanty dressed in cotton, that retains water and chills you when the temperature drops? I think I ll stick with my technical clothing. I may look like a douche, but damn yo, how many hipsters look like douches and are just gonna be eaten by zombies because they can t run in their drainpipe jeans? Sheeit yo, it ain t just white people wearing clothing that works, that in itself is degrading to people of other shades. What, because I m 1/2 Chinese I can t be (paranoia-fuelled) practical? C mon!!

 
In a StoryCorps animation, Patrick Haggerty remembers the remarkable advice he got from his dairy farmer dad.  

Great site. I know there was a post on dogs, but you just have to do one on horses too. And how people dress up for the Kentucky Derby, and love Secretariat/Barbaro/whatever more than breathing air. I ve never figured this one out. And also, all the readers/posters here who STILL have no idea what SATIRE is, or continually suggest the white people like blogs post, or think this is racist, or think that it s actually talking about every person with white skin in the entire world, do us a favor and just close the web browser before hitting Submit Comment. scampia italien

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A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a...

A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a distinct leaning toward celebrating the sensuality and eroticism of both his character, and his proudly displayed body, bare under hot bright sun.

If other photographers wished to give their work an air of respectability with classical allusions and reference to an Arcadian idyl, Vincenzo Galdi was publishing photographs with no such delicate gloss of innocence. Often explicit, always...

If other photographers wished to give their work an air of respectability with classical allusions and reference to an Arcadian idyl, Vincenzo Galdi was publishing photographs with no such delicate gloss of innocence. Often explicit, always emphasising the sensual, the erotic, the full-frontal nude presented without discretion or modesty. We see variations on this pose - seated, knees parted - over and over and over again.

A young man from Rome, captured in all his sensual glory by Vincenzo Galdi, in the early years of the 20th century. A beautiful portrait of a beautiful man!

A young man from Rome, captured in all his sensual glory by Vincenzo Galdi, in the early years of the 20th century. A beautiful portrait of a beautiful man!

A quite remarkably handsome man, his stern and beautiful face matched by a lithe, toned body, a deeply masculine grace and presence; photographed in the early 1900s by Guglielmo Plüschow.

A quite remarkably handsome man, his stern and beautiful face matched by a lithe, toned body, a deeply masculine grace and presence; photographed in the early 1900s by Guglielmo Plüschow.

When last month I posted a portrait of Pietro, I realised I’d never yet shared this far more famous photograph of the very same model. Taken in the garden of von Gloeden’s villa at Posillipo, circa 1890, we see here the very same smouldering smile,...

When last month I posted a portrait of Pietro, I realised I’d never yet shared this far more famous photograph of the very same model. Taken in the garden of von Gloeden’s villa at Posillipo, circa 1890, we see here the very same smouldering smile, the confident sensuality in baring his beautiful body, the drape of pale fabric let hang tantalisingly low - a fantastically erotic image without being at all explicit.

Photographed by Plüschow toward the end of the 19th century, both these models look familiar from other pictures; when I have a little more time I shall try to find their other poses!

Photographed by Plüschow toward the end of the 19th century, both these models look familiar from other pictures; when I have a little more time I shall try to find their other poses!

A true and deserved star of early erotic photography, this beautiful model is one of my favourites (indeed, I chose him as the avatar to represent this whole collection). We have seen this sensual photograph by Vincenzo Galdi before, but not so large...

A true and deserved star of early erotic photography, this beautiful model is one of my favourites (indeed, I chose him as the avatar to represent this whole collection). We have seen this sensual photograph by Vincenzo Galdi before, but not so large nor so detailed; do take a closer look at the full size image to fully appreciate such an exquisite man!

This stern-faced Italian model makes a strikingly beautiful and seductive subject for Vincenzo Galdi’s erotic male photography, in the early years of the 20th century. We have seen him pose before, for his sultry and somewhat sullen good looks I have...

This stern-faced Italian model makes a strikingly beautiful and seductive subject for Vincenzo Galdi’s erotic male photography, in the early years of the 20th century. We have seen him pose before, for his sultry and somewhat sullen good looks I have dubbed him the brooding beauty.

A genuine delight, here, another photograph of the charming Carlo, lover of the painter Robert Hawthorn Kitson, and captured on camera by Vincenzo Galdi in the early years of the 20th century. I had gathered all his portraits so far into a set, now I...

A genuine delight, here, another photograph of the charming Carlo, lover of the painter Robert Hawthorn Kitson, and captured on camera by Vincenzo Galdi in the early years of the 20th century. I had gathered all his portraits so far into a set, now I shall have to make room for one more!

A fine trio of male models, photographed in 1910s Rome by Vincenzo Galdi. Tantalisingly trimmed just below their waists - oh how I wish for an uncropped copy of this photograph!

A fine trio of male models, photographed in 1910s Rome by Vincenzo Galdi. Tantalisingly trimmed just below their waists - oh how I wish for an uncropped copy of this photograph!

A fine young man displays his body for the camera with pride in this early 20th century nude. Though I don’t recognise the model from other images, the fabrics here indicate this to be by Vincenzo Galdi, the same pieces can be seen in many of his...

A fine young man displays his body for the camera with pride in this early 20th century nude. Though I don’t recognise the model from other images, the fabrics here indicate this to be by Vincenzo Galdi, the same pieces can be seen in many of his photographs (such as that dear favourite, the full-length portrait of Carlo)

His shoulders enfolded in a thick cloak, this Galdi model shows not the slightest bit of shyness in flaunting his lower half, legs parted to expose all to the sun, and the viewer’s admiring eye. Vincenzo Galdi has seated his anonymous models on these...

His shoulders enfolded in a thick cloak, this Galdi model shows not the slightest bit of shyness in flaunting his lower half, legs parted to expose all to the sun, and the viewer’s admiring eye. Vincenzo Galdi has seated his anonymous models on these dark volcanic rocks before, here and here.

A typically raunchy and quite deliciously lascivious photograph from Vincenzo Galdi in turn-of-the-century Rome, his model blessed with both exceedingly admirable endowment, and a sultry face to match; all deep dark come-to-bed eyes and pouting...

A typically raunchy and quite deliciously lascivious photograph from Vincenzo Galdi in turn-of-the-century Rome, his model blessed with both exceedingly admirable endowment, and a sultry face to match; all deep dark come-to-bed eyes and pouting parted lips. He has appeared before, on the right in this equally erotic photograph

A stunning find, here, a gloriously sensual nude by Wilhelm von Gloeden - the unseen side of the model in this far better-known photograph. How wonderful it is to see more of him; his face as he gazes coolly down the camera lens, his confidently...

A stunning find, here, a gloriously sensual nude by Wilhelm von Gloeden - the unseen side of the model in this far better-known photograph. How wonderful it is to see more of him; his face as he gazes coolly down the camera lens, his confidently bared body, even how the narrow necklace seen in the first picture carries a collection of pendants. Though his hair seems very different, several models from 1890s Taormina appear to favour a fashion for hair close-cropped at the back and in luxuriant curls at the front.

Vincenzo Galdi once again presents the erotic male nude in all its sensuous, earthy glory, choosing expressive, attractive, and invariably well-endowed models, who revel in assuming the provocative poses - confident seductive men fully aware of their...

Vincenzo Galdi once again presents the erotic male nude in all its sensuous, earthy glory, choosing expressive, attractive, and invariably well-endowed models, who revel in assuming the provocative poses - confident seductive men fully aware of their power to entice and arouse those who look upon them. How proud would they be to know we still pass their pictures around for admiration over a century later! We have seen this particular model pose before, here, and also here.